James Austin Murray
James Austin Murray’s paintings are made using the most basic of means: ivory black oil paint, a canvas with wood-panel support and wallpaper brushes—up to nine affixed to a long handle. But the paintings surface effects are far from simple, and indeed offer an almost otherworldly experience, as the architecture of the brushstrokes take the eye on a roller-coaster journey into pleats and folds, over light-struck hillocks and into shadowy crooks and bends. Depending on where you stand, the paintings appear like a landscape one could walk right into. It is a visual encounter that is both inviting and profoundly seductive. James Austin Murray is a graduate of Parsons School of Design, New York, NY (1992). Murray opened and managed the Hartnett-Murray Gallery and The Markham-Murray Gallery in Tribeca, New York in the early eighties. His works has been exhibited throughout the US and abroad. He is a recipient of the Dedalus Foundation Fellowship Award for residency at The Vermont Studio Center, VT and has completed residencies at The Woodstock Byrdcliffe Guild in Woodstock, NY and Bermis Center for Contemporary Art in Omaha, NE. Murray’s work is found in numerous private and public collections such Weisman Collection (Los Angeles, CA), Sofitel (Philadelphia, PA), Hotel Palomar (Philadelphia, PA), Four Seasons Hotel (Washington, D.C.), Omni Hotel (Nashville, TN) and Tom Ford (Designer). Murray’s studio is located in Piermont, NY outside of New York City.
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ARTIST STATEMENT
"My paintings are a product of working with the light from above and the earth that grounds us. As the angle of light changes in relation to the viewer, so too does the art. The work started as a multitude of studies on small panels and canvases. Using only Ivory Black oil paint, I became enamored with the amount of definition and imagery that I could pull out with simple brush strokes. Larger works required larger brushes that were not available, so I made my own. This process changed the work dramatically and opened up a new world into the work for me to explore.
Ivory Black is one of the oldest pigments, one that appears in some of humanity's earliest mark-making. This pigment, still used today, has a lineage going back into our pre-history and our relationship with the earth itself.
Ruminating on this connection to the earth, I have started making my own paint using raw earth as a pigment. Made using an acrylic binder, I source the earth from locations with a significant history for myself and our culture. To date, I have sourced pigment from India, Brazil, and locations in the United States, to name just a few.
My black paintings are about light and its relationship to the viewer. My earth paintings directly connect our history with the earth and are about form, shadow, and the presence of the material."
- James Austin Murray
take a look
Video
Video of "Heavy Water" in our Village Court Gallery.
Biography
James Austin Murray is a graduate of Parsons School of Design, New York, NY (1992). Murray opened and managed the Hartnett-Murray Gallery and The Markham-Murray Gallery in Tribeca, New York in the early eighties. His works has been exhibited throughout the US and abroad. He is a recipient of the Dedalus Foundation Fellowship Award for residency at The Vermont Studio Center, VT and has completed residencies at The Woodstock Byrdcliffe Guild in Woodstock, NY and Bermis Center for Contemporary Art in Omaha, NE. Murray’s work is found in numerous private and public collections such Weisman Collection (Los Angeles, CA), Sofitel (Philadelphia, PA), Hotel Palomar (Philadelphia, PA), Four Seasons Hotel (Washington, D.C.), Omni Hotel (Nashville, TN) and Tom Ford (Designer). Murray’s studio is located in Piermont, NY outside of New York City.
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Solo And Two Person Exhibitions
2024
James Austin Murray: On the Return, Gilman Contemporary, Sun Valley, ID
2021
James Austin Murray: Hue, Brightness and Saturation, Bruno David Gallery, St. Louis, MO
2020
L'Eloge du Noir, Macadam Gallery, Belgium
Chrysalistasis, Lyons Wier Gallery, New York, NY
Fusing Time, Bruno David Gallery, St. Louis, MO
2019
Curved Lines, with Benoit Lemercier, Opera Gallery, Monaco
In Tandem, with Mark Zimmermann, Lyons Wier Gallery, New York, NY
Black Desert, with Mareo Rodrigues, Madison Gallery, Solana Beach, CA
2018
Future Proof, Lyons Wier Gallery, New York, NY
Distant Stars, Bruno David Gallery, St. Louis, MO
Convergent Evolution, REDSEA Gallery, Singapore
2017
Light on Black, Madison Gallery, San Diego, CA
2016
Super Massive Black Hole, Lyons Wier Gallery, New York, NY
2015
Asia Contemporary Art Show, Hong Kong, China
2014
Mystery of Light, Lyons Wier Gallery, New York, NY
Asia Contemporary Art Show, Hong Kong, China
2013
Ides of March, Narthex Gallery at St. Peters, New York, NY
2007
Tree’s Whisper, Dam-Stuhltrager Gallery, Brooklyn, NY
2005
Over-On,Dam- Stuhltrager Gallery, Brooklyn, NY
2004
Visiting Artist, International Gallery of Contemporary Art, Anchorage, AK
2001
On and Off White, L.I.C.K. Ltd, Fine Art, Long Island City, NY
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Selected Group Exhibitions
2024
Invisible Interactions, group exhibition, Macadam Gallery, Brussels, Belgium
Untitled Projects, group exhibition, Bruno David Gallery, St. Louis, MO
2021
Divine, group exhibition, Macadam Gallery, Brussels, Belgium
2020
Noire/Noir, group exhibition, Bruno David Gallery, St. Louis, MO
2019
It's All Black and White, Contemporary Art from the Frederick R. Weisman Art Foundation, Frederick R. Weisman Museum of Art, Pepperdine University
New York Centric, Curated by James Little, The Art Student's League, New York, NY
A Short Survey of Contemporary Abstraction, curator, Bergen County PAC Gallery
2018
Chromotopia, A history of Colour, Tacit Contemporary, Victoria, Australia
2017
No Vacancy, a three person exhibition, Gilman Contemporary, Sun Valley, ID
2016
Walking Slow, Brooklyn Workshop Gallery, Brooklyn, NY
Fourthought (four person show), Lyons Wier Gallery, New York, NY
2015
Lost Cat, Cape Cod Museum of Art, Dennis, MA
2014
MIA in MIA, Lyons Wier Gallery, New York, NY
2011
Dia: Beacon Staff Exhibition, Marion Royael Gallery, Beacon, NY
2008
American Lifescape, DBA256, Pomona, CA
NYU Small works show, 80WSE, New York, NY
Panorama Project 3, Jonathan Le Vine Gallery, New York, NY 2006
2005
New Artist Show, Bettcher Gallery, Miami, FL
Le Papier, Gescheidle Gallery, Chicago, Illinois
Group Show, Soho Myriad, Atlanta, GA
Scope NY, Lyons-Wier Gallery, New York, NY
2002
The Panorama Project, The Front Room Brooklyn, NY
2001
The Exquisite Day Project, Plus Ultra, Brooklyn, NY
2000
Flowers and Configurations, Angel International Art, East Hampton, NY
1999
Sex Death and Religion, Gershwin Hotel Gallery, New York, NY Size Matters, Gale Gates et al. Brooklyn, NY 1996 Places People, 313 Gallery, New York, NY
1992
Human Condition, 313 Gallery, New York, NY
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Awards And Residencies
2012
Bemis Center for Contemporary Art
2011
Dedalus Foundation Fellowship Award for residency at VSC
Residency at The Vermont Studio Center
Artist in Residence at The Woodstock Byrdcliffe Guild
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Press
January 2024
AATONAU, James Austin Murray: New York's Whispering Canvas
December 2020
ShoutOut Atlanta: Meet Artist/Painter James Austin Murray
Joshua Van Leader, Artist Focus: James Austin Murray "Distant Stars"
February 2020
Wall Street International, James Austin Murray
March 2019
Freedom Through Black Paint, Luxe Interiors Magazine
February 2019
Interview, Artists Voice Podcast
October 2018
Voyage ATL, Art and Life with James Austin Murray
August 2018
James Austin Murray, Artist Spotlight-The Tax Collection
April 2018
Wall Street International, James Austin Murray
January 2018
Vasari21, Under the Radar, James Austin Murray
August 2017
6 Exhibits to see This Fall, San Diego Magazine
August 2015
The Culture Trip
March 2014
May 2013
April 2013
Artorbiter.com
February and April 2012
Artorbiter.com April 2006, Artinfo.com, Miami Gallery Roundup
September 2005
New York Daily News, featured artist “Open Studios”
February 2004
Artnet, Dateline Brooklyn
November 2001
The Tribeca Trib, Tribeca Personal
September 2001
ABC Evening News, Interview and discussion of exhibition
New York Post, Page Six mention of opening that evening
November 2000
Bloomberg Business News, Interview: “Silent Auction Fundraiser for The Burn Center Foundation'
Summer 2000
Arts4all.com, “ Murray headed east, an American in Kosice”
June 2000
The Tribeca Trib, “Out of the Flames” review by Jeanne C. Wilkinson
May 2000
New York Contemporary Art Report, review of “Hello Goodbye”
March 2000
NY1, Television interview and review of Paint Club project
February 2000
Makta Opas (Finish culture magazine), NY artist as curator
November 1999
New York Times, Interview as artist, dealer and FDNY firefighter