NICHOLAS AUEN

jd hansen

 

jd hansen

MARCK

 
 

Born in 1964, Zurich, Switzerland
Currently lives and works in Zurich, Switzerland

The video sculptures by MARCK are more than a simple combination of video and sculpture: They are a logic consequence of his extensive examination with films and videos, multimedia based projects, performances, music and sculptural as well as kinetic objects. The examination of humans and their world of feelings is central to MARCK's oeuvre. Often depicting women confined in tight spaces, MARCK focuses on exploring societally imposed gender roles. He presents women that, although hopelessly pigeonholed, are not anxious and instead realize that nevertheless they must constantly confront their situation. In the work titled Snow, the swimmer wades back and forth ceaselessly against the confining walls. Acknowledging the certainty of her fate enlightens a sense of contented acceptance. As she creates her own tides, she revels in the reverberations of her interactions with the boundaries. MARCK’s eternally looping footages predominantly suggest struggles of Sisyphean circumstances as means of examining a broader, non-gendered theme of existential absurdity at the heart of humanity’s persistent desire to find truth and meaning.

MARCK’s art is a reflection of a contemporary artist navigating the evolving landscape of visual expression—where technology, memory, and emotion converge to create a visually and intellectually engaging experience.

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Artists Portraits 1500x1500

AVAILABLE WORKS & INVENTORY

Only a curated selection of works is shown online. Our inventory changes frequently, and many important works are not publicly listed.

If you are actively considering an acquisition, we invite you to request the current inventory and availability.

If you are still exploring, follow the artist to receive updates on new arrivals, exhibitions, and important career developments.

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Auen Installation at VC

 

Solo Exhibition in Palm Springs

Introspective Energy

May 23 - June 28, 2025

If you missed Nicholas Auen's exhibition in our Palm Desert gallery last season, here’s another opportunity. Join us in Palm Springs for a special opening reception—your chance to meet one of the most promising talents of his generation.

Nicholas creates figurative and abstract imagery using meticulously chromed and hand-painted aluminum cut-outs, resulting in a mesmerizing, multidimensional effect. His work is already in numerous collections, and while his career is off to a stellar start, the best is yet to come.

While our galleries are open year-round, this will be the final opening reception of the 2024–25 season. Our event schedule resumes in October, so we hope you’ll take this opportunity to join us—or to visit the exhibition during its run if you can’t attend the opening.

 

Auen Installation at VC

 

Solo Exhibition in Palm Springs

Introspective Energy

May 23 - June 28, 2025

If you missed Nicholas Auen's exhibition in our Palm Desert gallery last season, here’s another opportunity. Join us in Palm Springs for a special opening reception—your chance to meet one of the most promising talents of his generation.

Nicholas creates figurative and abstract imagery using meticulously chromed and hand-painted aluminum cut-outs, resulting in a mesmerizing, multidimensional effect. His work is already in numerous collections, and while his career is off to a stellar start, the best is yet to come.

While our galleries are open year-round, this will be the final opening reception of the 2024–25 season. Our event schedule resumes in October, so we hope you’ll take this opportunity to join us—or to visit the exhibition during its run if you can’t attend the opening.

 

 

MADE IN TAIWAN

There is an inherent tension running through the series Made in Taiwan — a tension between nostalgia and obsolescence, national identity and global consumer culture, humor and quiet melancholy. MARCK transforms familiar fragments of Taiwanese visual history into sculptural relics of collective memory. Using discarded electronics, LCD screens, plastics, toys, and manufactured objects, the series revisits the phrase “Made in Taiwan” not simply as a label of origin, but as a cultural condition: a generation shaped by mass production, export culture, technological acceleration, and the rapid transformation of Taiwan itself.

There are traces of Pop Art within the series, but MARCK’s approach differs from the detached celebration of consumer imagery often associated with the movement. Instead, his work feels deeply personal and regionally specific. Taiwan’s manufacturing legacy becomes both subject and metaphor — a reflection on how identity itself can be assembled, exported, reproduced, and eventually discarded. The objects appear playful at first glance, yet they quietly reveal the emotional afterlife of industrial culture: the longing attached to things, the memories embedded in plastic, and the strange humanity hidden within mass-produced surfaces.

What makes Made in Taiwan particularly compelling is its ability to collapse distinctions between sculpture, design object, collectible, and cultural commentary. MARCK elevates the aesthetics of ordinary manufactured materials without stripping them of their familiarity. The result is a body of work that feels simultaneously futuristic and deeply nostalgic — an elegy for a disappearing era of Taiwanese material culture, rendered with wit, precision, and surprising tenderness.

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Documentary Film

View a small documentary film about MARCK by Simon Guy Fässler.

"Gegenstrom"

Video sculpture "Gegenstrom" 2014

 

 

Biography

MARCK (b. 1964, Zurich, Switzerland) is a Swiss multimedia artist known for his distinctive video sculptures that merge moving image, sculpture, sound, and mechanical construction into immersive objects. Working at the intersection of technology and contemporary art, MARCK transforms screens and monitors into sculptural environments that become inseparable from the narratives they contain. His works often explore themes of human behavior, confinement, communication, and social structures through subtly provocative and psychologically charged imagery. Since the early 2000s, his sculptures have been exhibited internationally at museums, galleries, and major art fairs including SCOPE, Art Miami, Art Taipei, and Ars Electronica, with works held in both institutional and private collections worldwide.